I don't think that scenes like VENETIAN BRIDGE are commonly interpreted by artists who paint Venice. During my trip to this enchanting city, I surprisingly found myself sketching the chaos and confusion of the back canals, rather than the breathtaking architecture of St Mark's Basilica or the Rialto Bridge.

Indeed, the hundreds of unique bridges brimming with life, movement and people caught my attention. This is the story behind this work, rendered predominantly in sepias, flowing black lines and touches of gold.

Though heavily stylised, the 'Venice feel' is still there, thanks to the cluttered effect and sanguine hues which were popularly used to decorate most of the now faded and flaking facades.

Keith Balzan